Art for the city
The station becomes an open-air gallery. Murals, site-specific installations and patterns tell of energy, movement and renewal, rooting the project in the neighbourhood's identity.

energy for the city
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The energy transition cannot just add objects to the city. It has to build places.
The node, the connection, the infrastructure, the service. The technical necessity of the energy transition.
The city, the urban fabric, the neighbourhoods, the relationships. The need to give quality back to public space.
Two worlds held together by a single idea of the city.
Not a technical place to pass through, but a space accessible to all: a small contemporary neighbourhood agora.
HUBIS settles into voids, edges and transit areas — central or peripheral — turning them into magnetic poles accessible to all. Charging becomes an occasion to pause, observe, meet: a break that becomes a shared urban experience.

Electrical infrastructure increasingly spread across the urban space, today experienced as intrusive presences.
Turning substations and medium-voltage stations from intrusive technical objects into urban cultural landmarks.
Cultural, social and urban: art, inclusivity and a new perception of the ecological transition.
The station becomes an open-air gallery. Murals, site-specific installations and patterns tell of energy, movement and renewal, rooting the project in the neighbourhood's identity.

Light is design material: it defines thresholds, guides paths and makes the hub a safe night-time landmark. Dynamic LED systems modulate intensity and colour, cutting consumption and light pollution.

Green is ecological infrastructure — urban lifeblood. Rain gardens, trees and permeable surfaces improve microclimate, water and air, creating habitats and comfort for those who pause.

Between human and non-human. Between infrastructure and environment. Between individual and collectivity. A dynamic nature that runs through today's environmental urgency and roots itself in the history and geography of the city.
Human and non-human
Infrastructure and environment
Individual and collectivity
The project unfolds in cycles, each entrusted to a group of artists. Every installation becomes a story of the territory: a new form of urban life, rooted in the history and identity of Rome.
Architecture, drawing and carving on themes of freedom and universal history. Landscapes, maps and traces of writing in dense layers.
Multimedia exploration across feminism, ecology and activism. Printing on glass and mirrored surfaces, between sculpture and performance.
An unmistakable style built on the stencil technique. Active internationally from London to Melbourne.
Identity as continuous transformation. Dissolved boundaries between human, animal and plant in mythological, posthuman imagery.
Among the pioneers of stencil art in Italy. The stencil poster turns the matrix into the work itself, challenging reproducibility.
An intense palette, pop elements and psychedelic hints. Urban space as a dynamic perceptual field.



Project visualisations. The insertions show the HUBIS system applied to urban contexts, both real and conceptual.
HUBIS is not conceived as an isolated installation. Several hubs connected within the same municipality build an urban, artistic and landscape route.
Each station hosts an artwork, an intervention, a fragment of story.
Together they draw a new map of the city: energy, public art, green, light and mobility.
Each hub becomes a stop; each neighbourhood recognises itself in a fragment of the project.
HUBIS is born within Archigia, a group with over thirty years of experience in building the urban image, rebranding distribution networks and delivering infrastructure for electric mobility. Here, industrial experience meets a cultural vision of public space.
Tell us the context: an area, a station, a neighbourhood. Together we'll design the hub that reactivates it.
A charging station can be just a charging station.Or it can become a piece of the city.